Samuel Taylor Coleridge’s unfinished poem, “Christabel,” follows the meeting and interaction of a young maiden and a deceptive demonesque woman. This paper explores the interactions between the natural, supernatural, and artificial elements found in the characters and setting of the poem. Coleridge weaves these elements together, oftentimes connecting them to each other in complex ways, instead of simply putting them in opposition to each other. This paper uses evidence from Coleridge’s personal notebooks, essays, and letters along with this analysis of the poem to reflect his cautious acceptance of the changes brought on by the scientific and industrial revolution in the British Romantic era.