| dc.contributor.author | Bren, Travis | |
| dc.description.abstract | By examining the types of space raves inhabited, from the predominate 90s anarchist grass-root origins of the urban undergrounds to today's contemporary youth in vast landscapes of com-modified festivals and clubs, as well as their generational
socio-cultural implications, I question: what would the ideal 21st
century rave space be? This is my overarching thesis question
on a broad level, where for this journal research study, I break it
down into a smaller area of focus, such as acoustics and space.
This study involves identifying the ideal architectural acoustical
and spatial characteristics of rave performance spaces, focusing
on a diverse range of past and present exemplar performance
spaces and their physical, mental and emotional perceptual experiences both objectively and subjectively. | en_US |
| dc.publisher | North Dakota State University | en_US |
| dc.title | A Study of the Ideal Acoustical/Spatial Environment
for Rave/EDM Performance Spaces | en_US |
| dc.type | text/working paper | en_US |
| dc.date.accessioned | 2021-07-30T18:52:38Z | |
| dc.date.available | 2021-07-30T18:52:38Z | |
| dc.date.issued | 2019 | |
| dc.identifier.uri | https://hdl.handle.net/10365/31968 | |
| ndsu.college | Arts, Humanities and Social Sciences | |
| ndsu.department | Architecture and Landscape Architecture | |
| ndsu.program | Architecture | |
| ndsu.course.name | Advanced Architectural Design | |
| ndsu.course.name | Architecture Research Studio | |
| ndsu.course.number | ARCH 771 | |
| ndsu.advisor | Mahalingam, Ganapathy | |
