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dc.contributor.authorChinwongs, Luc
dc.description.abstractThis paper will examine the war manga Area 88 and its recent anime adaption. Area 88 depicts a fictional middle-eastern civil war in which a Japanese protagonist finds himself fighting as an unwilling mercenary. Area 88 is set in the cold war era, which, by necessity, must grapple with Japan’s political reality. As history professor Hiromi Mizuno explains, “…considering the strong connection that scholars and activists have found between masculinity and war, on the one hand, and femininity and peace, on the other, how postwar Japan’s masculinity has been negotiated with constitutional pacifism is an interesting and under-examined question” (105). The question arises: how can a Japanese protagonist engage in war while simultaneously advocating non-violence, or as Mizuno writes, “the dilemma of reclaiming masculinity and claiming pacifism at the same time?” (110). This negotiation of two seemingly contradictory goals both visually and textually is at the heart of Area 88’s narrative.en_US
dc.publisherNorth Dakota State Universityen_US
dc.rightsNDSU Policy 190.6.2
dc.titleBeautiful Boy Soldiers: Kaoru Shintani’s Area 88 and the Negotiation of Japanese Postwar Masculinityen_US
dc.typeMaster's paperen_US
dc.date.accessioned2014-06-30T13:31:06Z
dc.date.available2014-06-30T13:31:06Z
dc.date.issued2014
dc.identifier.urihttp://hdl.handle.net/10365/23229
dc.subject.lcshShintani, Kaoru, Eria 88en_US
dc.subject.lcshShintani, Kaoru -- Film adaptationsen_US
dc.subject.lcshAnimated films -- Japan -- History and criticismen_US
dc.subject.lcshMasculinity -- Japanen_US
dc.subject.lcshPacifism -- Japanen_US
dc.rights.urihttps://www.ndsu.edu/fileadmin/policy/190.pdfen_US
ndsu.degreeMaster of Arts (MA)en_US
ndsu.collegeArts, Humanities, and Social Sciencesen_US
ndsu.departmentEnglishen_US
ndsu.programEnglishen_US
ndsu.advisorBirmingham, Elizabeth


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