| dc.contributor.author | Miranda, Clayton Juliano Rodrigues | |
| dc.description.abstract | This disquisition provides a modern performance edition of four Brazilian compositions
for trumpet and piano by Henrique Alves de Mesquita’ (1830–1906) Fantasia para Piston
[Fantasy for trumpet, 1854], Heitor Villa-Lobos’s (1887–1959) Vocalise-Estudo [Vocalise-etude,
1929], Invocação e Ponto [Invocation and point] by Osvaldo Costa de Lacerda (1927-2011), and
Edmundo Villani-Cortes’s (b. 1930) Concerto for Trumpet and Piano (2004). I include a
biography of all of the composers, a descriptive analysis of the compositions, and tables of
critical notes regarding the editions. This study also provides a historical account of trumpet in
Brazil to contextualize these four compositions and their composers. By doing so, I make
available to the international trumpet community a new and exciting addition to trumpet
literature and raise awareness about the existence and quality of Brazilian music that is still
largely unknown. | en_US |
| dc.publisher | North Dakota State University | en_US |
| dc.rights | NDSU Policy 190.6.2 | |
| dc.title | The Inception of Trumpet Performance in Brazil and Four Selected Solos for Trumpet and Piano, Including Modern Performance Editions: Fantasia for Trumpet (1854) by Henrique Alves de Mesquita (1830-1906); Vocalise-Etude (1929) by Heitor Villa-Lobos (1887-1959); Invocation and Point (1968) by Osvalda | en_US |
| dc.type | Dissertation | en_US |
| dc.type | Video | en_US |
| dc.date.accessioned | 2018-04-24T18:52:42Z | |
| dc.date.available | 2018-04-24T18:52:42Z | |
| dc.date.issued | 2016 | |
| dc.identifier.uri | https://hdl.handle.net/10365/28032 | |
| dc.rights.uri | https://www.ndsu.edu/fileadmin/policy/190.pdf | en_US |
| ndsu.degree | Doctor of Musical Arts (DMA) | en_US |
| ndsu.college | Arts, Humanities, and Social Sciences | en_US |
| ndsu.department | Challey School of Music | en_US |
| ndsu.program | Music | en_US |
| ndsu.advisor | Brekke, Jeremy | |
