Venice, Italy has received a considerable amount of attention throughout the centuries from French poets, painters, and composers. However, little scholarship exists to date that has drawn any definitive connection between Venetian culture and the French humanities and even less regarding art song. In this disquisition, I concentrate on how French art song composers treated cultural themes of Venice in their music. I establish a field of study by selecting art songs for voice and piano written by French composers from Hippolyte Monpou (1804-1841) to Jacques Leguerney (1906-1997). From this selection, I discuss several composers that demonstrate contrasting approaches to using cultural themes in their songs. I then choose to emphasize Reynaldo Hahn’s (1874-1947) Venezia (1901) because of its deep connection with Venetian culture. Hahn’s Venezia exemplifies Venetian culture. This is evident through the composers’ use of the Venetian dialect and Venetian street-song forms. The lighthearted and charming character in Hahn’s six musical settings reflects the composer’s positive outlook on his stay in Venice, and historical documents confirm that he had a deep admiration for the city’s culture. The musical analysis I perform on Venezia, together with the analysis of its respective texts and authors, provides evidence that Venetian culture had significant effects on Hahn. By extending my analysis to other songs from my selection, I establish that there exists a strong connection between Venetian culture and French composers’ art songs.