The landscape of choral music in modern China is characterized by a rich and varied repertoire, despite its relatively brief history within the nation. Diverging from the trajectories of traditionally Christian countries, the evolution of Chinese choral music has been shaped by unique historical, social, religious, and folk music traditions. This paper embarks on an examination of selected Chinese ethnic choral music, commencing with an overview of the development path of Chinese choral music in Chapter One. It then delves into an analysis of choral traditions across three distinct ethnic regions in the following three chapters. Each of them is dedicated to a specific ethnic region, namely Inner Mongolia, Yunnan province, and Central Plains area. The analysis starts with introducing the geographical, social, and folk music backgrounds. Subsequent sections explore the characteristic musical elements of each region, offering in-depth examinations of selected representative repertoire. Furthermore, this study aims to provide valuable insights into rehearsal suggestions and performance practices tailored for non-Chinese speaking choral groups. This disquisition draws upon primary sources, such as unpublished Chinese choral music scores, and a spectrum of secondary sources including scholarly works, dissertations, journal articles, encyclopedic entries, and online resources authored by both Chinese and non-Chinese scholars regarding this research topic.